OOHMAA Announces Q1 Finalists Of The OOHMAA Awards - The Speccies

In the first quarter of 2024, The Out of Home Industry proudly introduced its inaugural Awards – The Speccies, where we recognised and celebrated Aotearoa’s creative talents adept at captivating audiences, the strategic prowess of media planners in executing campaigns, and the clients who championed innovation to captivate and engage audiences.

Today marks the unveiling of the Q1 finalists across the hotly-contested categories who will now proceed to the end-of-year voting to determine overall category winners:

·        Best Use of Technology/Data

·        Out of the Box

·        Best Use of Channel

·        Be Seen

·        The People’s Choice - This category is judged by Mediaworks Opinionation Survey participants (real consumers)

BEST USE OF TECHNOLOGY/DATA

Advertiser: Fire & Emergency NZ

Campaign Title:  ‘Check it’s alright, before you light’

Creative Agency: Motion Sickness, Latch

Media Agency: MBM – Kaitlin Mitchell, Keila Bituin and Tyler Crawford

Out of Home Format/s: Large format Digital Billboards & Petrol Station Screens

Campaign Details: Fire and Emergency aimed to increase awareness and education of fire prevention and wildfire warnings to engage with two distinct groups: locals who are naive to the risk of wildfire and those visiting rural areas who are less competent with recreational fires. Teaming up with Hivestack, they ran a fully automated, geo-targeted dynamic creative to convey the level of fire danger in a particular area.

Judges Comments: We chose ‘Check it’s all right’ as the winner of the Best Use of Data & Technology because it took a well-known, highly distinctive yet highly static asset, and modernised it in a way that’s incredibly simple for New Zealanders to understand and deliver to the campaign objective.  The magic and complexity in the using data & technology was done with purpose, rather than simply ‘because they could’, resulting in the use of Out of Home being both an advertisement and a utility for Fire and Emergency NZ.

For future entries into the Data & Technology category, we’d love to see more examples of the media and the creative working together, where the media is finding new and interesting ways to leverage data sources, and the creative is enhancing its impact with powerful copy, bespoke to the placement.

OUT OF THE BOX

Advertiser: Air New Zealand & Destination NSW

Campaign Title: Find your wow in Sydney

Creative Agency: FCB – Augusta Mercer

Media Agency: Dentsu

Out of Home Formats: Street Furniture Special Build

Campaign Details: Build awareness of the Vivid Sydney Festival and encourage audiences to book flights with Air NZ through a uniquely visual creative that utilises the entire Street Furniture format for maximum impact and engagement.

Judges Comments: We loved Air NZ’s use of neon light strips to replicate and celebrate the Vivid Sydney festival, a key call-out of their Sydney-focussed creative message. This lighting effect was bold and impactful, ensuring the execution captured as much (if not more) attention at night as during the day. The extensive use of this lighting effect to wrap the full height of the shelter was what made this execution stand out to judges.

Moving forward, we would like to see such effects pushed further, whether through greater interactivity that fuse the offline and virtual world, or through innovative extensions that transcend the fixed space of the asset. With the category being ‘Out of the Box’, advertisers should use formats in new, unexpected ways that capture more imagination and blur the lines between art and advertising.  

BEST USE OF CHANNEL

Advertiser: McDonald’s

Campaign Title: Surprize Fries

Creative Agency: DDB

Creative Director: Jenny Mak

Art Director: Conal Wilson

Copywriter: Ryan Greeves

Media Agency: OMD

Business Director – Jen Hilliar

Business Manager - Mark Robinson

Account Manager - Reilly Sadowski-Synnott

Out of Home format/s: Interactive Street Poster takeover + Large Format Digital Billboards and Digital Street Furniture

Campaign Details: This was the inaugural Surprize Fries campaign in NZ, and as such, McDonald’s needed to build comprehension of the new mechanic as well as generate hype and excitement. A high-impact takeover with peelable stickers was created so that consumers could peel and scan for their chance to  win a prize within the My Macca’s App.

Judges Comments: We thought that McDonald’s maximised its impact in this channel by adding a level of interactivity and engagement to the execution. The work was crafted for the placement, successfully driving awareness and unpacking the offer for the consumer. We’d like to see future entries into this category that show an innovative and creative use of the channel. Answering how an idea is applied to the channel/channels to maximise the impact of the work. We encourage work that isn’t a simple copy-and-paste of visual assets and messaging.

BE SEEN & THE PEOPLES CHOICE

Advertiser: Mars

Campaign Title: Whiskas – Meowzer

Creative Agency: Colenso BBDO

Media Agency: Essence MediaCom

Out of Home Formats: Retail and Street Furniture Digital

Campaign Details: The whole world wants a dog. But people's lives don't always align with responsible dog ownership. Search data reflects this, with people searching for impossibly low-maintenance dogs that don't need exercise or training or can stay home alone inside a small apartment. The perfect dog doesn't exist. So, WHISKAS created it—the Meowzer, a new breed of dog designed to get more cats adopted. By rebranding shelter cats as Meowzers, we showed the world that everything they're looking for in a dog can be answered by a cat.

Judges Comments: “ There’s a simplicity to the Whisker's work that demands attention, not in a shouty way, but in pure intrigue. ‘Why is the dog looking the wrong way?’ At this point, you have us, and the simple Q & A delivers a smile and ensures you are not just seen but heard. We hope to see work in the “Be Seen” category that goes beyond wallpapering the town. In a crowded room, the individuals who manage to demand your attention are the ones you remember.

The team at OOHMAA extends a huge thank you to our esteemed judges: Nick Worthington, Aaron Turk, James Davidson, and Josh Gurgiel. We appreciate that being the first in any endeavour entails a learning curve, and we are grateful you were so generous with your time and contributions - whakawhetai ki a koe.

We also send our warmest congratulations to all the finalists, and we look forward to seeing the calibre of nominations in the upcoming Q2 round, which opens on June 17 and can be submitted here.